It’s been the most spectacular of journeys, from a place in time when John Grant feared he’d never make music again or escape a life of addiction, to winning awards, accolades and Top 20 chart positions, and collaborating with Sinead O’Connor, Goldfrapp, Elton John and Hercules & Love Affair. The fact he subsequently won a Best International Male Solo Artist nomination at the 2014 BRITS alongside Eminem, Justin Timberlake, Bruno Mars and Drake, seemed like some fantasy dreamt up in a moment of outrageous hubris. Just months later, the BBC’s request for a session with symphony orchestra provided (subsequently released by Bella Union as John Grant And The BBC Philharmonic Orchestra: Live in Concert), followed by Grant taking the Royal Northern Sinfonia on a UK tour, confirmed that it was simply the latest spectacular chapter in his personal and artistic renaissance.
With his fourth solo album Love Is Magic, Grant has continued to evolve, creating his most electronic record yet, in collaboration with Benge (Ben Edwards), analogue synth expert/collector and a member of electronic trio Wrangler, Grant’s collaborators earlier this year under the collective name of Creep Show on the album Mr Dynamite.
Produced by Grant (together with Benge and Paul Alexander), and engineered by Benge at his Cornish studio, the diamond-hard, diamond-gleaming Love Is Magic, “is closer still to how I’ve always wanted my records to sound, but I didn’t know how to go about it,” Grant says. Besides the quest for sound, “the lyrics, of course, continue to be very important to me,” says John. “They’re just snapshots of everyday life where myriad moods and every sort of horrible and hilarious occurrence one can imagine mix with the pedestrian resulting in the absurdity and beauty of life.”
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